In an interview, Streisand says that though he initially questioned whether Spears had the capacity to hire him at all, she soon made two judgements that convinced him.
Britney spears paparazzi shots breakdown trial#
Once Spears was released from her forced hospitalization in 2008, during the same time her father was trying to establish conservatorship over her, she drove to the Beverly Hills Hotel to meet with Adam Streisand, a trial lawyer who specializes in conservatorships and estates. If the documentary is to be believed, Britney’s conflict with her father being the sole conservator of her person and estate didn’t just arise recently, but has been present since its inception in 2008. Britney did not want her father to be in control of her conservatorship from the very beginning. Later on, the documentary shows footage of an interview Spears did with Matt Lauer in 2006, in which, through tears, she says that her biggest wish is for the paparazzi to leave her alone. “It was like she needed us, and we needed her,” he says. He tries to explain that “it’s hard to get out of once you start making the kind of money that these guys were making,” while describing the paparazzi’s relationship with Spears as a symbiotic one. The documentary also interviews Daniel Ramos, a paparazzo (or celebrity videographer, as the film calls him) who worked from 20 and frequently followed Spears. “Spending millions of dollars on pictures, that just, you know, quintupled the amount of money that was out there, which meant there were a lot more photographers coming in and doing it,” Stone says. Brittain Stone, the photographer director of Us Weekly from 2001 through 2011, estimates in the documentary that the publication would spend $7 to $8 million dollars annually on celebrity imagery, or around $140,000 a week. Framing Britney Spears finally gives us insight on just how much these two industries profited off documenting her every move and meltdown.Īt its peak, the documentary reveals, photos of Britney could sell for upwards of $1 million dollars each. It’s no secret that the tabloid and paparazzi industry made an appalling amount of money off photos of Britney Spears at the height of her career in the early-aughts, which, perhaps unsurprisingly, coincided with the golden age of the tabloid industry.
“And it wasn’t ‘Hi, I’m Britney Spears.’ It was ‘Merry Christmas.’” At Britney’s peak, photos of her were going for $1 million dollars a piece. Wanting to give back to her community, one of the first things she did “when she just was getting famous - we were home for Christmas, and she wanted to go get $10,000 in $100 bills, and she just drove through Kentwood and gave out $100 bills,” Culotta says. Having grown up in the small town of Kentwood, Louisiana, Britney Spears' wide-eyed entrance into the spotlight was initially a very humbling experience for her, Spears’ friend and former assistant Felicia Culotta revealed in the documentary.
Through archival interview footage, raw paparazzi videos documenting Spears' infamous breakdown, and interviews with former assistants, lawyers, and journalists, the film ends up painting two distinct portraits: one of a young woman thrust into fame, and one of a world intent on destroying her.īelow, we summed up the most important points one needs to know from the film, from just how much the tabloid industry was profiting of Spears at the peak of her career, to the nitty-gritty details that plague her conservatorship.īritney Spears once gave out $10,000 in $100 bills to people in her hometown, Kentwood, Louisiana, for Christmas. Framing Britney Spears digs deeply on both of those issues in the documentary, however the overarching story from the documentary is more damning.
Britney spears paparazzi shots breakdown free#
Over the past year, the sole narrative Spears has had in popular media surrounds her ongoing legal battles regarding her conservatorship, which she's been under since 2008, and the growing, fan-led campaign to free her from it, #FreeBritney. The New York Times has released Framing Britney Spears, a sobering documentary that offers a comprehensive look into the life of Britney Spears, a celebrity whose world was once wholly transparent to us, and is now completely closed off.
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